From the very first moment, the film creates a sense of unease through dark tones, slow transitions, and an eerie silence that pervades each frame. The use of slow fade in, fade out with dark backgrounds and dim lighting is not simply a visual trick, but also represents the theme of psychological instability, the boundary between reality and obsession with the core elements that the film will deeply explore. The color scheme is established from the beginning with cold, slightly blue and gray tones, creating a sense of isolation and distance, which also shows a direct reflection of the main character's psychology. When the cast and director list appears the frames maintain a minimalist yet haunting and mysterious composition, without exaggeration but instead a tense silence. The background music does not follow a grand or dramatic style, but chooses a very gentle but gradually overwhelming style, like a silent wave pushing the viewer into a stuffy, uncertain space, signaling the upcoming instability.The official scene opens in a dimly lit therapy room, where Dr. Jane Mathis, the main character of the film is conducting a psychological counseling session for a young female patient. The therapy room space does not have too many elaborate details but this simplicity brings a feeling of isolation and disconnection. The light in the room mainly comes from a small table lamp and a little dim light from the window but most of the space is still covered in darkness, creating an invisible insecurity. This reflects the psychology of both characters: Dr. Jane, a person who appears calm on the outside but carries an inner instability, and the young girl who is trapped in her own mind, with the fear of not being able to escape. The director used a medium shot to establish the space and relationship between the two characters, then gradually moved to a close up shot as the conversation turned to sensitive topics, especially when the girl began to show anxiety and fear. This was a very clever approach because it forced the audience to focus on the facial expressions and eyes where the most subtle psychological changes were revealed. When the girl began to talk about her fear, the frame changed to an over the shoulder shot, placing the audience in the perspective of Dr. Jane, making the viewer feel like they were part of this conversation, while also creating a sense of empathy and curiosity.The tension gradually increased as the young girl began to show panic, her face clearly changed with unstable, desperate expressions. At this point, the director used a handheld shot causing the frame to shake slightly, simulating the character's feeling of losing control. This way of shooting is very effective in increasing the authenticity, making the audience no longer feel like this is just a movie but actually witnessing a real moment of horror. The cold blue tone is still maintained, but the girl's pale skin combined with her wide open, panic filled eyes further highlight the fragility and vulnerability of this character. The girl gradually loses control, her voice becomes intermittent, her breathing becomes rapid, while Dr. Jane although she always smiles and tries to stay calm, also begins to show signs of anxiety and stress. At this point, the camera switches from medium close up to extreme close up, focusing entirely on Jane's expression, emphasizing that she is not just a doctor observing the patient but is also deeply affected by the situation before her. The climax occurs when the girl suddenly screams violently and acts to self-harm, creating a great shock not only for the character Jane but also for the audience. The sudden appearance of blood, contrasting sharply with the previously overwhelming cold tones, makes the red color an extremely haunting visual highlight. The previously silent sound is suddenly broken by a piercing scream, combined with the slow motion effect when the girl begins to harm herself, prolonging this terrifying moment so that the audience can feel the full horror of Dr. Jane. The camera shakes more strongly, emphasizing the feeling of complete loss of control of the scene. An important detail is the sudden tilt of the Dutch Angle, a technique often used to create a sense of imbalance implying that both Jane and the viewer are no longer in control of the situation.